 |
|
 |
 |
| Rather than mere ornamentation,
these chairs represent beloved objects that
are an integral part of people's lives. |
| Dunbar, a former saddlemaker for the uppercrust in the vein of Hermes Paris, launched its full-scale household furniture-manufacturing operations in 1912. In 1931, a twist of fate caused young designer Edward Wormley to encounter a brand that was seeking to further capture the essence of fine quality. His search for a unique style occupying the median between order-made goods and mass-produced offerings led him to formulate timeless modernism. Rather than constituting displays of eccentricity, these chairs help to produce locations where one can feel most at home. History is a testament to such unparalleled quality. |
| |
|
|
